Specialist
Practice: The Janet Arnold Award- Unit Evaluation
At the end of this unit I have completed a full
historical replica of a technically challenging costume as well as a range of
appropriate undergarments and a reflective blog and supporting workbook. During
this time I have conducted first hand research by studying the original dress
and used Janet Arnold’s book as a template for the pattern in line with the
conditions set out by the Costume Society for entrance into the Janet Arnold
Award next year.
The JAA has been a challenging project as I have
completed it in a shorter time scale; as it is normally reserved as a project
for FMP. I gave this decision much consideration before the start of SP but I
felt confident that I could tackle this opportunity early as I know that my
construction skills are at a standard where I could take on this project
successfully. I am hoping this large jump from my last unit in level 5 to this
project in level 6 will demonstrate my increasing aptitude for precise and
skilled construction and push me even further as I go into the final practical
unit, where I will be undertaking an even more demanding project.
I have worked very independently and mostly at home for
the duration of this unit, returning for feedback from my tutors. The outcome
of this has been taking on the risks that come from making my own decisions and
using my own judgement. I have gone to great lengths to ensure my copy of the
dress is as close to the original as possible and although there has been a
large body of work to produce I have effectively planned the use of my time
ensuring that I have not needed to rush any elements of the construction.
Speaking critically, I have made some mistakes during the
process, some that I have managed to rectify; such as the organdie pleating at
the hem of the dress, and others that have been brought to my attention by my
tutors; such as the precision of cutting when working with striped fabric.
I feel that the dress imbues many elements of the
original, due to finding a fabric that matched the proportions of the original
dress and sourcing real antique lace. I have gained a lot of experience from
working to historical specifications and this costume has allowed me to feel
positive about making further period garments and crucially, it has confirmed
that this is a pathway I thoroughly enjoy, helping to refine my personal set of
skills.
Looking forward, this project has been an investment,
both financially, and in terms of a body of work suitable for my portfolio-it
will be a valuable tool in demonstrating my skills to prospective employers in
industry and it will be a platform from where I can continue to improve as I
move on towards FMP.
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